{ "track_id": "MCM54-INST-080", "title": "Someone Else Used The Gift", "subtitle": "Music for the moment the system is no longer only the creator's private gift; another creator uses it for a real scene", "canonical_url": "https://mcm54.com/tracks/inst-080-someone-else-used-the-gift/", "human_moment": "The door that opened in Series G is no longer symbolic — someone else has entered, a creator with their own scene, timeline, voice and unfinished story who does not know the mythology; they only know they brought a scene and the music worked. The gift is no longer only a private truth; it is useful in another person's hands, and the quiet inside it survived.", "narrative_function": "Tenth and CLOSING Series H cue — completes the Series H arc and the handoff from Series G (070 He Gave It Quietly → 080 Someone Else Used The Gift); proof through use, not applause.", "emotional_subtext": "Warm, confident, generous but quiet at the core; a private creation becoming useful to someone else; a working handoff, not a finale; soul without spectacle", "what_the_music_should_do": "Pick as the SERIES H CLOSING cue and the answer to 070 — a private gift becoming useful in another creator's hands: a creator handoff, an opening montage, a quiet release, a documentary transition from private origin to public use, a human-workflow montage. The most public-facing and most usable H track, but NOT the biggest — a working handoff, not a finale. The motif is MORE CONFIDENT than 071 but still incomplete, returns as if placed under someone else's scene, the groove is USABLE not performative, and it OPENS BRIEFLY then REFUSES TRIUMPH. It is ending_friendly. Reject any take that becomes a launch, a triumph, corporate inspiration, a cinematic finale, an imitation or classical, or that announces the gift.", "what_the_music_must_not_do": [ "launch music, product-demo music, startup success or corporate inspiration", "a motivational ending, triumph, victory music, a final resolution or inspirational uplift", "a happy tech reveal, a trailer finish, a cinematic finale, a podcast outro jingle or a news ending", "sentimental piano, a crying cello, heroic strings, an imitation of a specific work, or classical/symphonic style" ], "scene_fit": [ "a creator beginning to use a tool in a real workflow", "a documentary transitioning from private origin to public use", "a founder story showing the first person using what was built", "a quiet public release that feels grounded and human" ], "use_cases": [ "a creator handoff, an opening montage, a quiet release, a human workflow, or proof of usefulness without launch energy", "a documentary transitioning from private origin to public use; a founder story showing the first person using what was built", "a product story that avoids corporate tone and focuses on human usefulness", "a montage showing scenes being assembled without hype" ], "avoid_for": [ "launch music / product-demo / startup success / corporate inspiration", "motivational ending / triumph / victory music / final resolution / inspirational uplift", "happy tech reveal / trailer finish / cinematic finale / podcast outro jingle / news ending", "beat pack / dance groove / pop instrumental / sentimental piano / crying cello / heroic strings / imitation of a specific work / classical style" ], "voiceover_compatibility": { "friendly": true, "note": "excellent" }, "dialogue_compatibility": { "score_1_5": 5 }, "energy": "Mid", "movement": "Editorial groove", "story_world": "Human motive", "instruments": { "canonical_tags": [ "Felt piano", "Muted electric guitar", "Low strings", "Electric keys", "Warm bass", "Restrained drums" ], "dominant": [ "confident felt piano as human motif (more confident than in 071 but still human, incomplete and open — a motif that has learned how to serve another scene; returns as if placed under someone else's scene)" ], "supporting": [ "warm electric bass (movement and body — more active than 079, less aggressive than 074; no funk, no pop)", "restrained analog drums (a steady usable editorial groove — soft kick, dry rim, muted snare, human timing; no big fills, no dance, no pop; usable, not performative)", "muted electric guitar (direction and public-facing motion into another scene)", "low strings (inherited pressure carried from the whole series, no swell, no finale)" ] }, "genre": "Quiet Handoff Groove", "license_summary": "Use any track in your videos, podcasts, films and narrated projects — including monetized ones. Credit MCM54 where your platform allows: video description, show notes, end credits or project credits. Do not resell, re-upload, or register the tracks with Content ID. Downloads you have already made keep their license even if these terms later change.", "license_url": "https://mcm54.com/license/", "intended_tempo_bpm": 84, "intended_key": "A minor", "editorial_profile": { "In the edit": { "notes_for_editor": "Series H, Track 10 — the FINAL track, closing both the Series H arc and the handoff from Series G (070 He Gave It Quietly → 080 Someone Else Used The Gift). This scores private gift becoming useful: the system no longer only the creator's private gift, another creator uses it for a real scene. It should be the most public-facing and most complete usable cue in H, but NOT the biggest — a working handoff, NOT a finale. The felt-piano motif is MORE CONFIDENT than 071 but still incomplete enough to stay human — a short, warm, clear, usable motif; not triumphant, not sentimental, not a theme; it RETURNS as if placed under someone else's scene, with stronger groove support, warm bass movement and low string pressure (the gift leaving the private room without losing its truth). Warm bass gives movement and body (more active than 079, less aggressive than 074); restrained analog drums make a steady usable editorial groove (soft kick, dry rim, muted snare, human timing, NO big fills, NO dance, NO pop); the muted guitar gives direction and public-facing motion (small dry lines, movement into another scene); dark keys hold continuity and warmth; low strings carry inherited pressure from the whole series (no swell, no finale, no grand closure). The groove OPENS BRIEFLY then REFUSES TRIUMPH. Do NOT make it launch music, product-demo music, startup success, corporate inspiration, a motivational ending, triumph, victory music, a final resolution, inspirational uplift, a happy tech reveal, a trailer finish, a cinematic finale, a podcast outro jingle, a news ending, generic stock, beat-pack music, a dance groove, a pop instrumental, a lo-fi loop, sentimental piano, a crying cello, heroic strings, emotional exploitation, or an imitation of any specific work; never classical/symphonic via the Beethoven theory; NEVER announce the gift — let it be used. Soul without spectacle. The ending is open, working and usable, as if the next creator can now begin. Correct level under narration: -24 to -28 LUFS.", "best_for": [ "a creator beginning to use a tool in a real workflow", "a documentary transitioning from private origin to public use", "a product story that avoids corporate tone and focuses on human usefulness", "a founder story showing the first person using what was built", "a video essay shifting from idea to application", "a montage showing scenes being assembled without hype", "a public release that feels quiet, grounded and human" ], "works_after": [ "079 (the story staying open) and the whole Series H arc", "070 (He Gave It Quietly — the private gift leaving the room)", "a private origin that is about to become useful to others", "narration about a creation becoming useful in another person's hands" ], "works_before": [ "the next creator's own scene beginning", "a quiet public release or an opening montage", "silence, or the close of a series or program", "nothing — it is the final track of Series H and can end the arc" ], "loop_friendly": false, "intro_friendly": true, "ending_friendly": true, "voiceover_friendly_1_5": 5, "dialogue_friendly_1_5": 5 }, "Musical character": { "genre": "Quiet Handoff Groove", "subgenre": "The Scene Found Its Human (Series H, V1) — private gift becoming useful, warm analog editorial pulse", "main_instruments": [ "confident felt piano as human motif (more confident than in 071 but still human, incomplete and open — a short, warm, clear, usable motif that has learned how to serve another scene; returns as if placed under someone else's scene; not triumphant, not sentimental, not a theme, not a pretty loop)", "warm electric bass (movement and body — more active than 079, less aggressive than 074; warm forward motion; no funk, no pop groove, no trailer low end)", "restrained analog drums (a steady usable editorial groove — soft kick, dry rim, muted snare, human timing; no big fills, no dance, no pop, not a beat pack, not a jingle; usable, not performative)", "muted electric guitar (direction and public-facing motion — small dry lines, restrained, a sense of movement into another scene; not rock, not solo)", "dark electric keys (continuity and warmth — understated and analog; not glossy synth, not corporate pad)", "low strings (inherited pressure carried from the whole series — the private truth underneath; no swell, no finale, no grand closure, no crying cello, no heroic strings)", "subtle tape texture / analog room (warm human room tone and air — supports the working, unspectacular feel; never lo-fi style)", "voiceover-aware open-use space (room left for another creator's scene or voice — the music leaves room for use rather than filling it)" ], "texture": "Warm, confident, analog and usable but quiet at the core — a private gift becoming useful in another person's hands. A confident felt-piano motif serves another scene; a warm bass moves with body; restrained analog drums make a usable editorial groove; a muted guitar gives direction into another scene; dark keys hold continuity; low strings carry the inherited private truth. The groove opens briefly then refuses triumph. The listener feels a working system, not a machine; a handoff, not a finale.", "mix_character": "Warm analog editorial pulse, creator-facing and voiceover-aware — the confident felt-piano motif forward, the warm bass moving with body, restrained analog drums steady and dry (soft kick, dry rim, muted snare), the muted guitar giving direction, dark keys as continuity, low strings carrying inherited pressure, tape texture and air. Controlled low end, no harsh highs, no glossy polish; the most public-facing track of Series H but still carrying the private truth of G inside it — soul without spectacle. Not mechanical pressure like Series E, not open desert distance like Series F, not the private chamber-latin room of Series G — creator-facing, editorial and human, a quiet handoff.", "time_signature": "4/4 restrained editorial groove — usable, not performative; the groove opens briefly then refuses triumph, and the motif returns as if placed under another person's scene" }, "Emotional arc": { "primary_emotion": "Private gift becoming useful", "secondary_emotion": "Gift used by someone else — a private truth becoming useful in another creator's hands without becoming spectacle", "story_position": "The tenth and final track of Series H, completing both the Series H arc and the handoff from Series G: where 070 said He Gave It Quietly, 080 answers Someone Else Used The Gift. The door that opened in Series G is no longer symbolic — someone else has entered, a creator with their own scene, and the music worked. The gift is no longer only a private truth; it is useful in another person's hands.", "emotional_arc": "Human question left alive → gift used by someone else. Someone who is not the maker, not the protector of the private gift, not the one who pressed play alone, enters with their own scene, timeline, voice, hard part and unfinished story; they do not know the mythology or the long road from Series E to F to G — they only know they brought a scene and the music worked. Across the series a first motif found the human, the room opened, the voice found ground, the cut found pulse, evidence gained weight, the hard part was not exploited, the ending stayed open. The music must not celebrate this loudly — no launch, no victory, no product demo, no final applause, only a quiet handoff becoming real. A felt-piano motif appears with more confidence than in 071 but still human, still incomplete, still open; the bass enters with warm movement; the drums create a restrained editorial groove that feels usable, not performative; a muted guitar gives direction across the scene; dark keys hold continuity; low strings carry the pressure inherited from the whole series. The cue feels like a working system, not a machine; a gift, not a confession; a final track, not a finale. The groove opens briefly then refuses triumph. Someone else used the gift, and the quiet inside it survived — the ending is open, working and usable, as if the next creator can now begin.", "power_relationship": "The private system and another creator who now uses it — the gift becomes meaningful because it supports someone else's real scene, without being announced. Unresolved and disciplined: if the music becomes triumphant it turns the handoff into a product launch, and if it stays too private the gift never reaches the user; the cue must be usable, warm, public-facing and still quiet at the core. This closes the emotional and product arc — MCM54 is not only capable of creating music but of supporting another person's story — through use, not applause; the gift did not become louder when it left the room, it became useful." }, "Original arrangement brief": { "emotional_profile": { "primary": "Private gift becoming useful", "secondary": "Gift used by someone else — a private truth becoming useful in another creator's hands without becoming spectacle", "arc_type": "Quiet-handoff arc where a private gift becomes useful in another person's hands. Inherited quiet opens with a confident but incomplete felt-piano motif; warm bass movement enters; restrained analog drums establish a usable editorial groove; a muted guitar gives direction; the motif returns as if placed under someone else's scene; low strings hold the inherited private truth; the groove opens briefly then refuses triumph. The close is open, working and usable, as if the next creator can now begin. Not a finale, not a launch, not closure.", "listener_journey": "Human question left alive → Gift used by someone else", "emotional_temperature": "Warm, adult, analog, confident and generous but quiet at the core — a private creation becoming useful to someone else. Not a launch, not a triumph, not a victory, not corporate inspiration, not a finale; a working handoff, grounded and human, soul without spectacle." }, "arrangement_stages": [ { "stage": 1, "name": "Inherited Quiet", "duration_approx": "0:00–0:35", "description": "Inherited quiet and a close, confident but incomplete felt-piano motif — the human motif that has learned to serve another scene.", "instrumentation_active": [ "subtle tape texture / analog room", "confident felt piano (motif)" ], "density": "sparse" }, { "stage": 2, "name": "Warm Movement Enters", "duration_approx": "0:35–1:15", "description": "Warm bass movement enters, giving the cue body and forward motion.", "instrumentation_active": [ "subtle tape texture / analog room", "confident felt piano", "warm electric bass (movement)" ], "density": "sparse-moderate" }, { "stage": 3, "name": "A Usable Editorial Groove", "duration_approx": "1:15–2:00", "description": "Restrained analog drums establish a usable editorial groove; a muted guitar gives direction across it.", "instrumentation_active": [ "confident felt piano", "warm electric bass", "restrained analog drums (usable editorial groove)", "muted electric guitar (direction)", "dark electric keys (continuity)" ], "density": "moderate (restrained)" }, { "stage": 4, "name": "In Another Person's Hands", "duration_approx": "2:00–2:50", "description": "The motif returns as if placed under someone else's scene, with stronger support; low strings carry the inherited private truth.", "instrumentation_active": [ "confident felt piano (returned motif)", "warm electric bass", "restrained analog drums", "muted electric guitar", "low strings (inherited pressure)", "dark electric keys" ], "density": "moderate" }, { "stage": 5, "name": "Open, Working, Usable", "duration_approx": "2:50–3:45", "description": "The groove opens briefly then refuses triumph; the ending is open, working and usable, as if the next creator can now begin.", "instrumentation_active": [ "confident felt piano", "warm electric bass", "restrained analog drums (opening then settling)", "low strings", "dark electric keys" ], "density": "moderate to open-working" } ], "instrumentation_roles": { "human_motif": { "instrument": "Confident felt piano", "role": "Carries the human motif that has learned to serve another scene — more confident than in 071 but still human, incomplete and open; returns as if placed under someone else's scene.", "priority": "central from stage 1, returns in stage 4", "melodic_content": "A short warm clear usable figure, more confident than 071 but incomplete and open; returns changed with stronger support; never triumphant, never a full theme, never a climax, never a resolution.", "forbidden": "Triumphant, sentimental piano, a theme, a pretty loop, a launch fanfare, resolving, announcing the gift" }, "movement": { "instrument": "Warm electric bass", "role": "Gives movement and body — more active than 079, less aggressive than 074; warm forward motion.", "priority": "stage 2 onward", "melodic_content": "Warm moving low body with forward motion; never a funk or pop groove feature.", "forbidden": "Funk, pop groove, trailer low end, aggression, dominating, becoming the subject" }, "usable_groove": { "instrument": "Restrained analog drums", "role": "Establish a usable editorial groove — soft kick, dry rim, muted snare, human timing; usable, not performative.", "priority": "stage 3 onward", "melodic_content": "n/a — a steady restrained usable groove; never a beat pack, never dance, never pop.", "forbidden": "Big fills, dance feel, pop, beat pack, EDM, trap hats, claps, jingle, performative groove, triumph" }, "direction": { "instrument": "Muted electric guitar", "role": "Gives direction and public-facing motion into another scene — small dry lines, restrained.", "priority": "stage 3 onward", "melodic_content": "Small dry directional lines suggesting movement into another scene; never a lead.", "forbidden": "Rock, solo, blues heroics, performance, taking over the cue" }, "continuity": { "instrument": "Dark electric keys", "role": "Hold continuity and warmth under the handoff — understated and analog.", "priority": "stage 3 onward, subtle", "melodic_content": "Understated warm continuity; never a lead, never bright.", "forbidden": "Glossy synth, corporate pad, lounge, brightness, corporate inspiration" }, "inherited_pressure": { "instrument": "Low strings", "role": "Carry the inherited pressure / private truth from the whole series — underneath the working groove.", "priority": "stage 4 (may shade earlier, low)", "melodic_content": "Low held inherited pressure tones carrying the private truth; not a lead, not a swell, not a cry.", "forbidden": "Swell, finale, grand closure, crying cello, heroic strings, grief, drama" }, "analog_room": { "instrument": "Subtle tape texture / analog room", "role": "Warm human room tone and air — supports the working, unspectacular feel.", "priority": "constant, subtle throughout", "melodic_content": "n/a", "forbidden": "Lo-fi style, glossy polish, becoming the track" }, "open_use_space": { "instrument": "Voiceover-aware open-use space", "role": "Room left for another creator's scene or voice — the music leaves room for use rather than filling it.", "priority": "constant", "melodic_content": "n/a", "forbidden": "Filling the space, crowding another creator's scene, masking speech, announcing the gift" }, "absent_instruments": { "instrument": "NONE from the forbidden set — deliberately absent", "role": "Per Series H, no launch music, product-demo music, startup success, corporate inspiration, motivational ending, triumph, victory music, final resolution, inspirational uplift, happy tech reveal, trailer finish, cinematic finale, podcast outro jingle, news ending, generic stock, beat-pack energy, dance groove, pop instrumental, EDM, trap hats, claps, whistles, ukulele, cute plucks, lo-fi loop, sentimental piano, crying cello, heroic strings, emotional exploitation, choir, generated voice, or classical/symphonic style.", "priority": "absent", "melodic_content": "n/a", "forbidden": "Any of the above, any vocal or generated-voice texture, any imitation of a specific soundtrack/artist/composer/show/film-score/ensemble, anything that announces the gift or becomes spectacle" } }, "harmonic_philosophy": { "key_center": "A minor", "modal_inflections": "A minor center with warm extensions — added ninths, added sixths, suspended chords, modal mixture, low pedal tones; deceptive motion, small harmonic resistance, partial breakthrough, brief warmth that does not become optimism, and an open working ending. Accessible but not obvious, warm but not sweet; the harmony carries a usable, confident forward motion while keeping the gift quiet.", "arc": "The confident motif places A minor as inherited quiet turning outward. Warm bass movement and a usable groove build a working handoff; a brief warmth may appear and not become optimism (partial breakthrough); the motif returns as if placed under another scene over low string inherited pressure; the groove opens briefly then refuses triumph. Nothing resolves fully; the close is open and working — enough confidence to be usable, enough restraint to stay quiet at the core.", "chord_movement": "Direct and warm but not simplistic — Am, Am(add9), Am(add6), sus color, low pedal tones and gentle deceptive motion with forward momentum that never cadences into triumph. The confident motif and its placed-under-another-scene return carry the form rather than a functional cadence drive; no full release, no launch lift, no song structure, no finale cadence.", "resolution_policy": "Open working ending. No perfect authentic cadence, no final/full resolution, no triumphant close, no obvious happy ending — the cue lets the groove open briefly then refuses triumph and ends open, working and usable, as if the next creator can begin. Full resolution is withheld; the gift is left useful, not concluded.", "forbidden_intervals": [ "A triumphant cadence, a launch lift, a victory close, or a final/full resolution", "A bright resolving cadence used as inspirational uplift, a happy tech reveal or a motivational ending", "A cinematic finale swell, a trailer-finish climax, or a heroic lift", "A pop chorus uplift or a corporate-inspiration cadence", "A dance/EDM/beat-pack loop harmony", "Classical or symphonic functional resolution (Beethoven as behavior only, never as style)", "A crime/thriller harmonic cliche, or imitation of a specific work" ], "preferred_intervals": [ "Minor with added 9th / added 6th / suspended color (warm, confident, usable, unresolved)", "A confident motif that returns as if placed under another scene (use, not triumph)", "Low pedal tones and low string inherited pressure holding the private truth (ground, not finale)", "Deceptive motion and small harmonic resistance (forward motion without triumph)", "A brief warmth that appears and does not become optimism (partial breakthrough)" ], "key_production_note": "A minor here must read as a private gift becoming useful — accessible but not obvious, warm but not sweet, confident but quiet at the core — not a launch, a triumph, a victory, corporate inspiration, a motivational ending, inspirational uplift or classical. A triumphant A-to-C lift makes a launch; a resolving A-to-major makes a victory or a happy ending; a swelling A minor makes a finale. The correct A minor says: the gift did not become louder when it left the room, it became useful — warm, confident, working, ending open and usable." }, "mix_philosophy": { "stereo_field": "Warm analog editorial pulse, creator-facing and voiceover-aware — the confident felt-piano motif forward and central, the warm bass moving with body centered, restrained analog drums close but dry and human (soft kick, dry rim, muted snare), the muted guitar off to the side giving direction, dark keys as continuity, low strings low and wide carrying inherited pressure, tape texture and air. The most public-facing Series H mix, but still quiet at the core; it supports another creator's scene and stands alone as a working cue.", "reverb_character": "Warm, close analog room with a touch of forward air — human and slightly dusty, not digital-clean, not sterile, not glossy, not a launch stage, not a finale hall. Tape texture and room tone are the analog field; no glossy stock polish, no launch sheen, no cinematic-finale wash.", "frequency_balance": "Low end is the warm moving bass and low pedal (body and forward motion, not trailer low end); midrange is the confident piano motif, muted-guitar direction and dark-key continuity, warm and forward; high end is dry rim, brushed contact, string air and tape air, gentle and never harsh. Transparent midrange kept clear for a voice or another creator's scene; no harsh highs, no glossy polish.", "dynamic_range": "Warm, confident but restrained; a confident motif and a usable editorial groove carry the handoff rather than a build to a peak. Loudness target: -18 LUFS integrated. Under narration: -24 to -28 LUFS. The groove opens briefly then refuses triumph; the drums stay usable and human, never a beat pack; the close stays open and working rather than a resolved finale.", "headroom_for_narration": "High. This track underlays a creator handoff, an opening montage, a documentary transition from private origin to public use, a human-workflow montage or a quiet release — the voice, when present, must lead. The groove moves the handoff without masking speech and never becomes the subject, announces the gift, or tells the audience what to feel." }, "dynamics_philosophy": { "overall_level": "Warm, confident and controlled. More movement than 079 but less aggression than 074; never loud, never building to a launch, a triumph or a finale. The dynamics work and hand off rather than climax; the groove opens briefly then refuses triumph; the close is open and working.", "movement_type": "Warm and editorial, developing through a confident motif that returns placed under another scene, warm bass movement, a usable editorial groove, muted-guitar direction and low string inherited pressure. Movement serves the handoff — never a beat pack, never a dance groove, never a triumphant build.", "peak_policy": "No peaks and no triumph. The brief groove opening in stage 5 is a small lift of body that then REFUSES triumph — not a peak, not a finale. If the music launches, triumphs, delivers a victory, an inspirational uplift, a cinematic finale or a full resolution, the quiet-handoff truth is broken — reject.", "silence_policy": "Silence is inherited quiet — the private truth under the working groove and the open-use space left for another creator. The ending stays open, working and usable.", "compression_policy": "Minimal. Light analog glue only. Preserve confident felt-piano attack, warm moving bass body, dry rim and brushed drum texture, muted-guitar contact, dark-key continuity, low string inherited pressure, tape texture and room air. No artificial loudness evening, no glossy polish, no launch/finale glue." }, "listener_outcome": { "intended_feeling": "That something private has become useful without losing its quiet truth — warm, confident, restrained, lightly grooved, creator-facing, voiceover-aware and emotionally generous; a handoff not a finale, leaving the sense that the system can now support someone else's real scene.", "not_intended": [ "Launch music, product-demo music, startup success, or corporate inspiration", "A motivational ending, triumph, victory music, a final resolution, or inspirational uplift", "A happy tech reveal, a trailer finish, a cinematic finale, a podcast outro jingle, or a news ending", "A beat pack, a dance groove, a pop instrumental, sentimental piano, a crying cello, heroic strings, an imitation of a specific work, or classical/symphonic style", "Announcing the gift, becoming spectacle, or any music that tells the audience what to feel" ], "best_descriptor": "The door that opened in Series G is no longer symbolic — someone else has entered, not the maker, not the protector of the private gift, not the one who pressed play alone, but a creator with their own scene, timeline, voice, hard part and unfinished story. They do not know the mythology or the long road from Series E to F to G; they only know they brought a scene and the music worked. A felt-piano motif appears with more confidence than in 071 but still human, incomplete and open; the bass enters with warm movement; the drums make a restrained editorial groove that feels usable, not performative; a muted guitar gives direction; low strings carry the pressure inherited from the whole series. The cue feels like a working system, not a machine; a gift, not a confession; a final track, not a finale. Someone else used the gift, and the quiet inside it survived." } }, "Creator note": "Creator Note — INST-080\n\nSomeone Else Used The Gift\n\nThe gift did not become louder\nwhen it left the room.\n\nIt became useful.\n\nSomeone else\nplaced it under a scene,\n\nand the quiet\nwas still there.\n\n— Oshi, MCM54" }, "audio": [ { "take": "A", "wav_url": "https://mcm54.com/instrumental-library/temp/MCM54-INST-080/MCM54-INST-080_Someone_Else_Used_the_Gift_A.wav", "preview_url": "https://mcm54.com/instrumental-library/temp/MCM54-INST-080/MCM54-INST-080_Someone_Else_Used_the_Gift_A_preview.mp3" }, { "take": "B", "wav_url": "https://mcm54.com/instrumental-library/temp/MCM54-INST-080/MCM54-INST-080_Someone_Else_Used_the_Gift_B.wav", "preview_url": "https://mcm54.com/instrumental-library/temp/MCM54-INST-080/MCM54-INST-080_Someone_Else_Used_the_Gift_B_preview.mp3" }, { "take": "C", "wav_url": "https://mcm54.com/instrumental-library/temp/MCM54-INST-080/MCM54-INST-080_Someone_Else_Used_the_Gift_C.wav", "preview_url": "https://mcm54.com/instrumental-library/temp/MCM54-INST-080/MCM54-INST-080_Someone_Else_Used_the_Gift_C_preview.mp3" }, { "take": "D", "wav_url": "https://mcm54.com/instrumental-library/temp/MCM54-INST-080/MCM54-INST-080_Someone_Else_Used_the_Gift_D.wav", "preview_url": "https://mcm54.com/instrumental-library/temp/MCM54-INST-080/MCM54-INST-080_Someone_Else_Used_the_Gift_D_preview.mp3" } ] }